BOOKS: Sales fluctuate, and so do judges’ tastes…

Bookmarks - The Guardian

The verdict on this year’s Baillie Gifford prize for nonfiction shortlist

Plus: Palestinian poet Batool Abu Akleen on life in Gaza; Yuval Noah Harari, Rory Stewart and Maria Ressa on how to navigate a fragmented world; and Oyinkan Braithwaite on haunting horror from Susan Barker

Ella Creamer Ella Creamer
The shortlist for the Baillie Gifford prize, the UK’s biggest nonfiction award, was unveiled this week. What sticks out most from this year’s list is that half of it is literature-themed: there are the collected diaries of Australian writer Helen Garner, plus books about Muriel Spark and Tennyson. 

This follows several years of shortlists featuring little of what might be considered “traditional” serious nonfiction – big books about war, monarchy, and well-known political figures. Are readers wanting something different now? This week’s Bookmarks gets the verdict from historians and prize judges. 

And Oyinkan Braithwaite – whose novel Cursed Daughters, a follow-up to My Sister, the Serial Killer, is out now – tells us what she’s loved reading lately.

Crossing boundaries

James Shapiro
camera James Shapiro, who won the 2023 Baillie Gifford winner of winners award for his book about Shakespeare, 1599. Photograph: The Baillie Gifford Prize
When asked about the literary bent to this year’s Baillie Gifford shortlist, judging chair Robbie Millen said that “there is probably less straight history being published than perhaps a few years ago”. And the books that are being published seem to be struggling: a July Bookseller report highlighted hardback sales of history and military books were down a fifth in the first half of this year compared to last year. 

But sales fluctuate, and so do judges’ tastes. “I’d say that it’s always dangerous to treat the choices of one set of judges as a litmus test of changing literary tastes,” said Robert Douglas-Fairhurst, who judged the Baillie Gifford in 2019 and is the author of books including Becoming Dickens. However, he admits there does seem to be a “move away from the grand sweep of traditional historical narratives to more experimental approaches”.

Gretchen Gerzina, whose books include Black England, believes that “just as much history is being written”, but a “wider expanse” is given to the genre’s definition. Sarah Churchwell, who judged the Baillie Gifford in 2017, agrees that serious nonfiction is “evolving in ways that complicate simple genre categories”. There is hybridisation, genre-blurring and “histories framed through memoir, literary criticism or archival essays”. She adds that books about Tennyson and Muriel Spark, appearing on this year’s list, engage in historical questions by definition.

However, a move away from “traditional” histories may also have something to do with increasing time constraints on academic historians. While there remains “an enduring market for well-written, well-researched books”, it is “inarguable that historians in the universities are under extreme pressure, as the sector is sinking into bankruptcy”, says Amanda Vickery, professor of early modern history at Queen Mary, University of London. 

“I’m not sure that I see a withdrawal from history in general,” adds Vickery, who judged the Baillie Gifford in 2011 and whose books include Behind Closed Doors. “History is booming on podcasts.” Indeed, The Rest Is History podcast, hosted by Tom Holland and Dominic Sandbrook, has 15m downloads a month. 

“The huge success of history podcasts shows there’s still a great appetite for well-told political, military and royal history, in addition to social and cultural history of the kind we present on mine,” says Churchwell, who co-hosts the Journey Through Time podcast with David Olusoga. 

When it comes to book topics, there will “always be an appetite for well-trodden ground” – the Tudors, 1066, etc – says Helen Carr, whose latest book is Sceptered Isle. However, over the last 50 years we have “paid more attention to broad social histories, women’s history, histories of the enslaved and colonised”, and more recently histories of the environment and climate change. 

“What’s often called ‘traditional’ history usually means top-down, geopolitical narratives delivered in an omniscient, impersonal voice,” Churchwell adds. “Those narratives still have their place, but they aren’t the only way to encounter history”.

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This week’s nonfiction reviews

Oyinkan Braithwaite recommends

Oyinkan Braithwaite.
camera Oyinkan Braithwaite. Photograph: Studio Q
I am not generally into horror, but Old Soul by Susan Barker was beautifully written, haunting and unyielding. I was pulled in instantly. In an effort to understand what happened to his friend, Jake approaches people who have been traumatised by their own losses. Their strange accounts all point to the presence of one ageless woman. Who is she? What is she? And how can she be stopped? 

The Original Daughter by Jemimah Wei explores the love between two sisters and the tensions that tear them apart. When the Yang family adopt young Arin, Genevieve welcomes her with open arms. But ambition, societal pressure and academic stress soon strain their relationship, and betrayals follow one after another. Wei’s characters are distinct, colourful, wonderfully flawed. 

Allow Me to Introduce Myself by Onyi Nwabineli shines a light on the dangers of being a child raised in the glare of social media. Anuri has long been the vehicle for her stepmother’s online ambitions, but now she seeks to reclaim her life. But when she steps out of the spotlight, she quickly realises that her stepmother has a replacement – her younger sister. How can she save herself and her sister?

Cursed Daughters by Oyinkan Braithwaite is published by Atlantic (£18.99). To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply.

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